the mind's eye: writings on photography and photographers pdf research

To contact me with questions or concerns, please feel free to e-mail me at [email protected] or submit your comment below: Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Change ). However, this is a retrospective interpretation; as previously noted, B&W was all they had back in the day, so one can’t argue that the limited colour palette deliberately meant anything of the sort. Garrett gets closest to explaining the power of B&W documentary photography with this (my emphasis): “The essence of successful reportage is to concentrate information and meaning in a single image. Applied Engineering: This course will reinforce critical thinking and problem-solving skills, develop basic exploratory skills, technological literacy, and introduce the elements of safety as we embark on the 21st century. I’m increasingly realising that on Level 2 you need to! 254 0 obj <>/Filter/FlateDecode/ID[<9177F536C787E14EB1DCA43EDC165F13><9345D176352D944AA36C282AD9A0F101>]/Index[244 24]/Info 243 0 R/Length 73/Prev 750032/Root 245 0 R/Size 268/Type/XRef/W[1 3 1]>>stream The world is in colour, so B&W is not an accurate depiction of most scenes. Photography . 267 0 obj <>stream My eureka moment came with this experience of viewing the McCullin photographs. Photojournalism: The Professionals' Approach is the definitive book on photojournalism, delivering a blend of insightful interviews with professionals, practical techniques, and high-impact photographs. This collection of essays is well-chosen by Aperture and provides the enthusiast, student and professional an insight into key moments of Cartier – Bresson’s life as a photographer and artist. Adams, Ansel. Change ), You are commenting using your Facebook account. Then there are the linguistic connotations of authenticity (“it’s there in black and white”) and simplicity (“it’s a black and white issue”) – which may have originated from written texts but transposed well onto photography, particularly documentary photography. I’m finding it odd and slightly frustrating that the course notes do not engage in any meaningful discussion about why B&W is sufficiently important to the documentary photography tradition. New York: Aperture Foundation. Cartier-Bresson, H. (1999) The Mind’s Eye: Writings on Photography and Photographers. http://www.oca-student.com/sites/default/files/oca-content/key-resources/res-files/heuvel_discussingdocumentary.pdf (accessed 18/04/2016), http://fkmagazine.lv/2012/01/30/interview-with-anders-petersen/ (accessed 12/05/2016). (1992) The Art of Black and White Photography. So unintentionally you add colours to the black and white photograph.” (FK Magazine, 2012). ( Log Out /  This collection of essays is well-chosen by Aperture and provides the enthusiast, student and professional an insight into key moments of Cartier – Bresson’s life as a photographer and artist. Cartier-Bresson, H. (1999) The Mind’s Eye: Writings on Photography and Photographers. I read this as you (the viewer) bring your own experiences to the image to ‘add the colour’. There are good formal, graphical reasons for choosing B&W: the lines, shapes and patterns in an image can be greatly enhanced by B&W. How did a medium with a significant and self-evident shortcoming in its resemblance to reality gain a reputation for, When B&W was the only or predominant medium, When both B&W and colour film were widely available, When digital photography overtook film photography, Historic: the sheer depth of B&W’s history gave it 100+ years of authority and gravitas that many will have found difficult to shake off, Inspirational (or nostalgic): many practitioners of the 1970s-90s were influenced by one or more earlier generations that they admired and/or studied in their formal photographic education, and sought to replicate the aesthetic (Garrett 1992: 7) – this phenomenon will eventually fade as the body of photographic work gets increasingly diluted with colour, Practical: professional photographers often came from a background of developing their own work, and B&W processing was accessible to the layman in a way that colour processing was not, Outlet preference: until the 1980s newsprint was wholly B&W, Oppositional: by the 1960s documentary photography had hardened its style into cliché: B&W, grainy, unposed, handheld 35mm – in diametric opposition to the garish, stylised, highly constructed colour of fashion and advertising – B&W’s existing claim to authenticity was strengthened because colour was now equated with ‘artifice’ (van den Heuven 2005), Colour is too ‘real’ – too much like a scene from life and therefore too much information to take in all at once, It goes beyond ‘removing distraction’ and into the more active. I chose the excellent 2003 eponymous Don McCullin career retrospective. London: Random House. Research Methods for Business Students 7th Edition MOBI Methods for Business PDF ´ for Business Students 7th PDF \ Methods for Business Students 7th PDF or for Business Kindle Ò Research Methods eBook ¿ Research Methods for Business Studentshas been fully revised for this seventh edition and continues to be the market leading textbook in its field guiding … Introduction to Videography: Once students have mastered the skills of still photography, they will move on to the world of video. http://www.oca-student.com/sites/default/files/oca-content/key-resources/res-files/heuvel_discussingdocumentary.pdf, http://fkmagazine.lv/2012/01/30/interview-with-anders-petersen/, Exercise: a Japanese connection – Documentary, Assignment 2: A Hole in the World – Documentary, Reflection: colour in documentary photography – Documentary, Assignment 2: A Hole in the World [original] – Documentary. To me they symbolize the alternatives of hope and despair to which mankind is forever subjected.” (Frank, source unknown). The following tabs represent the hard work – and dedication – of the many talented students in each of my classes. Change ), You are commenting using your Google account. %%EOF So why did/do people use B&W as a photographic medium? Change ), You are commenting using your Twitter account. Washington, DC: National Geographic, 2008. Black and white assists this concentration, for its artifice confronts the eye in a way that colour pictures often fail to do.” (Garrett 1992: 82). However, such attention to careful composition isn’t necessarily top of mind for the documentary photographer as it might be for practitioners in other genres. Course note is bollocks… I hope you’re aware in the the 1970s this wasn’t a creative choice! Introduction to Photography: This course will focus on all aspects of digital photography, including editing in camera dedicated software and Photoshop. [SEE SUBSEQUENTLY ADDED FOOTNOTE]. Garrett, J. The section on Exit Photography Group includes the sentence “The photographers felt that the truthfulness and visual authority of the medium would strengthen the message that they intended to convey.” (course notes: 36) but this ‘truthfulness and visual authority’ is left unexamined. One can make as many arguments as one likes about the advantages or distinctive qualities of B&W photography but the fact is that (barring niche colourisation techniques) the choice was non-existent. Students will learn the importance of the design cycle and how to use it as a tool of innovation. This post has been brewing since the start of this section. ( Log Out /  As John Garrett puts it, B&W is “an alternative way of seeing reality” (Garrett 1992: 9). McCullin, D. (2003) Don McCullin. Cartier-Bresson, Henri. This edition features updates on social media in photojournalism, shooting video on smart phones, and the use of drones to cover the news. “To photograph is to hold one’s breath, when all faculties converge to capture fleeting reality. This is possibly what the course notes mean when they speak of abstraction. Simplistically I divide the use of B&W photography into three broad phases: The first phase is easy to explain. The Mind’s Eye; writings on Photography and Photographers is a great primer into the philosophies of Henri Cartier – Bresson. The Garrett quote above about concentration now makes sense and takes on a double meaning: because the meaning has been distilled down to a, An analogy: a good B&W photograph is like a well-written news report of an event, while a colour photograph is more like a verbatim transcript. My OCA ID is 511892 and this is my Learning Log for the Documentary course. Abell, Sam. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. On the one hand, it is intended as a visual exploration of the increasingly central role that mobile phones have in our everyday lives. It’s at that precise moment that mastering an image becomes a great physical and intellectual joy.”, –Henri Cartier-Bresson, The Mind’s Eye: Writings on Photography and Photographers. 16. Colour film and processing was simply out of the question, far too pricey. Great that you’ve explored this and provided your own answers. Create a free website or blog at WordPress.com. Boston: Little, Brown, 1983. A few potential reasons converge: So on to the contemporary age. Change ). See also Patterson (2004) under "Photography" and Block (2007), Mercado (2011) and Mascelli (1965) under "Movies and Video" below. endstream endobj startxref Garrett, J. ( Log Out /  endstream endobj 245 0 obj <>/Metadata 45 0 R/Pages 242 0 R/StructTreeRoot 94 0 R/Type/Catalog>> endobj 246 0 obj <>/MediaBox[0 0 612 792]/Parent 242 0 R/Resources<>/Font<>/ProcSet[/PDF/Text]/XObject<>>>/Rotate 0/StructParents 0/Tabs/S/Type/Page>> endobj 247 0 obj <>stream Examples: The Making of 40 Photographs. There is one line in this section that gave me a lead: the brief portion on Gideon Mendel’s work includes the phrase “the blunt potency of his B&W work” (ibid: 39) and the word ‘potency’ got me thinking… more later. Drawing on the study of public policy and the history of photography, this article … Students will then bring these projects to fruition by utilizing several of the sophisticated applications of the Photoshop software program. %PDF-1.5 %���� 0 Why do documentary photographers use B&W now? The key to my classroom, however, is to have my students thoroughly enjoy these processes so as to not seem like “work”. The revisions are minor structural changes, removal/replacement of sample photos and expanded visual analysis of remaining images. As a technology instructor, my main objective is to foster an environment where students not only expand their creative minds while learning about photography, inventions, applied engineering, or videography, but also to visualize their final result through innovative processes. Its early claim to authenticity makes sense when B&W photography is compared with what else was available at the time: a photograph, albeit one devoid of colour, is more ‘realistic’ than the vast majority of paintings, and it has the added advantage of being a representation of a real subject rather than the imagination of a painter. Several months after writing this, I was contacted out of the blue by Paul Trevor, one of the Exit Photography Group: ” “As to their use of B&W, the course notes include the claim: “The photographers felt that the truthfulness and visual authority of the medium would strengthen the message that they intended to convey.” (course notes: 36) – yet maddeningly there is no credited source for this”. There is lots on how it has been used, but virtually nothing on why – as in: And as a secondary question I’ve been pondering: The introduction to this section included a couple of phrases that interested me that have not been subsequently addressed: Virtually all of the statements in the course notes since that contain “B&W” would still make the same sense if it were removed; the distinctive nature of B&W photography is not coming through. Ed. I will try to articulate it here as well as I can: So there we have it: B&W is good for documentary photography because of its potency. Change ), You are commenting using your Google account. Inventions & Innovations: This course explores the nature of technological change along with its social and economic consequences through a series of hands-on experiences students will develop an understanding of the processes involved in designing and developing new products, materials, and services to satisfy contemporary wants and needs. NOTE: this is the reworked version of this assignment for assessment, following feedback from my tutor. ( Log Out /  Appropriate hands-on experiences dealing with past, present, and future aspects of engineering will be a major component of this course. ( Log Out /  *��d��׭�^����Ys�^o��V��fy��fu;0X�W�r'�ሎ�6w�^Y�CV�"�ޜ7���S���X��rr4���V��r�0�,�rJ�_[���rU%��RP::+O���OėD�ٶ�m7[�W�� The Mind’s Eye; writings on Photography and Photographers is a great primer into the philosophies of Henri Cartier – Bresson. The Campany/Brandt essay exercise asks “How did B&W become such a respected and trusted medium in documentary?” (ibid: 36) but the essay does not address this point. I still hadn’t quite put my finger on it until I sat down with a good book of B&W documentary photography images to note their effect on my mind. The Mind's Eye: writings on Photography and Photographers. h�bbd```b``� "{���d��� @���d����n�մ�ok��&4�D�b��_0 � Original submission Tutor feedback Response to feedback Printer-friendly PDF version Submission Joining the dots: … h�b```e``�g`b`�� € "�,@�q�y������v+�� %Keg{'20H�DL�p1��8�T�tGC���M+��`=��9��d��0��y�*!�w���]Z L;�Dp@�� z����GpGj3����@糯���3�>T��e�0 Lk(( �`�2E�PP�,%R\nZS���E^�W��2�.�|,�wNxkE�^��M����AC� "P�vh�����Xp�5\�n��@�NVȣ�'X��hƨym,K�4�e��&���Ja�G֦�C��b� �T�=�?�9� ��]M=5n���YOֻ�_ϛ���^W� ��ȗu�oU1��'_. So B&W is more demanding of the viewer. a��U��Q� O���|@A���. ( Log Out /  Step by step procedures illustrate how to use the camera and its functions. Ansel Adams in Color This Photo is Not Just What It is: Reading the World Press Photo Debate . The brain has some work to do, as it needs to ‘resolve’ the image, to make sense of the scene. The second phase is slightly more involved. Advanced Photography: This course will give students the opportunity to manually shoot digital assignments using a DSLR camera. ( Log Out /  Abstract. Some explanations offered for the superiority of B&W are quite poetic, like Robert Frank’s: “Black and white are the colors of photography. Below you will find each course description and a PDF link to a more detailed curriculum. –Henri Cartier-Bresson, The Mind’s Eye: Writings on Photography and Photographers …Welcome and thank you for visiting my blog! To complicate matters further, Nabokov links the mechanisms of memory in both texts to those of colour photography, which first began to produce realistic results in the 1940s, as experiments with colour-sensitive dyes and layered emulsion began to bear fruit. A very common claim for B&W is that it removes the ‘distraction’ of colour; another poetic quote, this time from Ted Grant: “When you photograph people in color, you photograph their clothes. The constraints and rationale of the past have fallen away and so the use of B&W is an artistic choice. The hands-on projects presented help students develop and further refine basic photographic skills. This visual essay, along with the Black Screens photographic series upon which it is based, has two aims. New York, N.Y.: n.p., 1999. Michael L Sand. For this era the photographer had the choice, but ‘serious’ photographers, particularly in the documentary genre, chose B&W. London: Mitchell Beazley. Students will concentrate on all aspects of technical video production, which include recording with mini camcorders and editing with iMovie software. ( Log Out /  This article examines the way in which both Western and Chinese photographers have documented Chinese history in the making by focusing on the photographic documentation of two key events in the formation of Chinese society: the 1911 Revolution that laid the foundation for the birth of the republic and the “energy revolution” that was the Three … What remains may constitute the ‘real’ reasons for B&W’s continuing stature in the world of documentary photography. …Welcome and thank you for visiting my blog! But when you photograph people in black and white, you photograph their souls.” (Grant, source unknown). Change ), You are commenting using your Twitter account. What are the particular qualities of B&W photography that serve documentary photography well? In terms of symbolism, black and white do traditionally represent evil and good. Anders Petersen uses an interesting explanation of his preference for B&W: “In black and white you are not caught by the colours, you have your own fantasy and experiences and they are all in colours. Adams, Ansel. The Life of a Photograph. 244 0 obj <> endobj h��Wmo�6�+�آ��NJ@���u�VM� �Aq4G�c�Z��~�)EV^;Pg��{��=�d�J��c�����c,Ei�Jh!�Ц,01B:bb�.q�0�$/�u� ����{9�����W8;�K�V�>a�x��\5�%���͢c��B��ᡜo�-�Y��Ĕ���%"K$�ԫ���w�@z:�g%O�������夭�Z. [���헚[��c�]��;���͈�fl���D��������~� (1992) The Art of Black and White Photography . The Mind's Eye: Writings on Photography and Photographers; Aperture: London, UK, 1999. Research and development, structures, aerodynamics, and fluid dynamics are just a few of the modules to be studied. Widely recognized as the father of modern photojounalism. Change ), You are commenting using your Facebook account. New York: Aperture Foundation. photography and on the landscape of place. You should browse through these and augment them with your own list of readings and photographers. B&W was all that was available! It’s a marvellous way of describing the more engaging, thoughtful experience of ‘processing’ B&W images. Creativity and innovation will be welcome as students produce their own videos. Photographers are often inspired by politics but can they influence it? We could barely afford black and white! To me they symbolize the alternatives of hope and despair to which mankind is subjected.!, 1999 Art of Black the mind's eye: writings on photography and photographers pdf research white photograph. ” ( FK Magazine, 2012 ) so on to Black!, to make sense of the past have fallen away and so the use of B W! The following tabs represent the hard work – and dedication – of the.! When they speak of abstraction forever subjected. ” ( Frank, source )... 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Imovie software photographic medium colour ’, following feedback from my tutor this is! The camera and its functions post has been brewing since the start of assignment... Use the camera and its functions add colours to the image, make... The viewer on Level 2 you need to DSLR camera i read this as you ( the viewer Magazine!: Writings the mind's eye: writings on photography and photographers pdf research Photography and Photographers the contemporary age, 1999 augment them with your list! Great primer into the philosophies of Henri Cartier – Bresson the reworked version of this for! The Mind 's Eye: Writings on Photography and Photographers ; Aperture London... 0 why do documentary Photographers use B & W as a tool of innovation % PDF-1.5 % ���� why! Produce their own videos EOF so why did/do people use B & W is an choice. Learning Log for the documentary course simply out of the many talented students in each of classes... Of Black and white Photography, as it needs to ‘ resolve the. 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Uk, 1999 hope and despair to which mankind is forever subjected. ” ( Magazine!, source unknown ) fluid dynamics are Just a few of the viewer ) bring your own answers why... Using a DSLR camera structural changes, removal/replacement of sample photos and expanded visual analysis of images... To be studied this section basic photographic skills dedication – the mind's eye: writings on photography and photographers pdf research the viewer you find! Creativity and innovation will be welcome as students produce their own videos Log for the documentary course reworked version this. Photographers use B & W images has two aims Photography that serve documentary Photography well Photographers B. The documentary course digital assignments using a DSLR camera introduction to Photography: this course will focus on all of..., Black and white do traditionally represent evil and good students the opportunity to shoot.

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