contemporary literature writers article
Could the irony be any less subtle? (In The New York Times the critic Richard Eder quoted with approval a flashy excerpt from Close Range about a car trip that the characters themselves do not appear to find remarkable at all.) That talk of secret correspondences and gnostic joy appears aimed at making trusting readers think there must be some insight here that they are too dim to grasp. Academic education system suffering severe bubble-inflation. In this excerpt from White Noise, Jack and his family go shopping. On the positive side, Guterson has more of a storytelling instinct than many novelists today. The notion that contemporary fiction possesses greater relevance for us because it talks of the Internet or supermodels or familiar brand names is ridiculous. Phillips at least had the guts to quote a lengthy excerpt from White Noise in which a character holds forth on the semiotics of—what else?—the supermarket. Here we learn that out west even a hangover is something special. The prizes come from La Tondena, Inc., the firm founded by the late Carlos Palanca Sr. 10. Of course, one can hardly blame Proulx for thinking, "If it ain't broke, why fix it?" At the 1999 National Book Awards ceremony Oprah Winfrey told of calling Toni Morrison to say that she had had to puzzle over many of the latter's sentences. Writers who would once have been called middlebrow are now assigned, depending solely on their degree of verbal affectation, to either the literary or the genre camp. Abel’s profound sense of alienation and search for identity is a theme that carries through other Native American Renaissance–era works, such as Leslie Marmon Silko’s Ceremony, Louise Erdrich’s Love Medicine, and Joy Harjo’s She Had Some Horses. taste in your sweat Media conglomerates have poor business model; economically rationalized “culture industry” is actively hostile to vital aspects of humane culture. Later Jack registers "floating nuances of being" between him and his stepdaughter. So is the cast of characters: the quiet cowboys, the women who "like to see a man eat," the howling savages. Literature is language-based and national; contemporary society is globalizing and polyglot. ‘Foundation’ Has One of the Best Sci-Fi Concepts Ever, ‘Bill & Ted Face the Music’ Strikes the Perfect Note, The End of the Universe Will Probably Be Fairly Disappointing, The ‘Double Dragon’ Movie Should Be a Cult Classic, Horror Movies Seem to Really Hate the Suburbs, We Need ‘Hobbit’ Movies That Are the Right Length, echo esc_html( wired_get_the_byline_name( $related_video ) ); ?>. Contact [email protected] to report an issue. (Who ever thought of night and day as an absolute condition anyway?) As a fan of movie westerns, I refuse to quibble with the myth that a wild landscape can bestow epic significance on the lives of its inhabitants. And "... everything was folly. Is the thing smirking deep in the eyes of grace the same thing that is lodged in the heart of being? He never did this, however. Then he switches from the horses' perspective to the narrator's, though just what something imperfect and malformed refers to is unclear. An attack on the growing pretentiousness of American literary prose. I doubt that any reviewer in our more literate past would have expected people to have favorite sentences from a work of prose fiction. The clumsy echoes: size, sizes; familiar, family; sense of, sense of; well-being, being! This is the safe, catchall vagueness of astrologists and palm readers. Not necessarily. Besides, how can anything, no matter how abstract, be strangled and work-driven at the same time? Clumsy writing begets clumsy thought, which begets even clumsier writing. McCarthy's second tortilla, in contrast, is there, like the syntax, to draw attention to the writer himself. Such hits are so rare, however, that after a while the reader stops trying to think about what the metaphors mean. The novel is required reading in some college English classes, and even history students are being urged to read it, as a source of information about the internment of Japanese-Americans during World War II. In fairness, it must be said that McCarthy's style was once very different. If Proulx's fiction is so compelling, why are its fans more impressed by individual sentences than by the whole? Not even Proulx's fans will go so far as to praise this aspect of her writing, but they probably share her impatience to cut to the "lyrical" chase. But what is the point? It would be even more encouraging if our national newspapers devoted an occasional full-page review to one of these new editions—or, for that matter, to any novel that has lapsed into undeserved obscurity. If you find the above shopping list fascinating, then DeLillo's your man. Historically, mainstream science fiction and fantasy has had a big problem with diversity and representation of non-white characters. Literature is a term used to describe written and sometimes spoken material. And every so often Proulx lets a really good image stand alone: "The dining room, crowded with men, was lit by red bulbs that gave them a look of being roasted alive in their chairs." All Passaro said to justify quoting that passage was that it combines "autobiography, story, social commentary, and the irony to see them all as a single source of pain." (Hand to Mouth). Because DeLillo knew it would seem profoundly original to most of his readers. The reader is meant to be carried along on the stream of language. "You're my only.". The American supermarket is presented as a haven of womblike contentment, a place where people go to satisfy deep emotional needs. You half expect him to ask how many horses' souls can fit on the head of a pin. Even today's obscurity is easy—the sort of gibberish that stops all thought dead in its tracks. All the Pretty Horses received the National Book Award in 1992. Proulx's sentences are often praised for having a life of their own: they "dance and coil, slither and pounce" (K. Francis Tanabe, The Washington Post), "every single sentence surprises and delights and just bowls you over" (Carolyn See, The Washington Post), a Proulx sentence "whistles and snaps" (Dan Cryer, Newsday). We can see ourselves reflected more clearly in Balzac's Parisians than in a modern American who goes into raptures when his daughter says "Toyota Celica" in her sleep. We know, for example, that European peasants were far from pleased when their clergy stopped mystifying them with Latin. Everything written in self-conscious, writerly prose, on the other hand, is now considered to be "literary fiction"—not necessarily good literary fiction, mind you, but always worthier of respectful attention than even the best-written thriller or romance. Then again, Auster is commercially successful precisely because he offers so much cachet in return for so little concentration. Her entire body felt the rightness of it, her entire body was seized to it. I realize that such a declaration must sound perversely ungrateful to the literary establishment. Similar phrases turn up throughout DeLillo's novels; they are perhaps the most consistent element of his style. Nahua face Michael Crichton could have given us the same stock character of the Alienated Veteran in one of those thumbnail descriptions he's always getting slammed for, but Guterson seems intent on dragging everything out. Digital public-domain transforms traditional literary heritage into a huge, cost-free, portable, searchable database, radically transforming the reader’s relationship to belle-lettres. Tokenizing one author not only creates abusive power dynamics, but also skews the field. Mailhot and Orange’s success have solidified the literary community and reputation of the IAIA. Here, to return to White Noise, is another of Jack's musings. (No one ever sees a cow's soul.) If the narrator's obsessions dwell "in this area," shouldn't he be able to tell us something we don't know, instead of "Some people put on a uniform and feel bigger, stronger, safer"? “Convergence culture” obliterating former distinctions between media; books becoming one minor aspect of huge tweet/ blog/ comics/ games / soundtrack/ television / cinema / ancillary-merchandise pro-fan franchises. Many readers, however, including the folks at Granta, are willing to buy into the scam that anything this dull must be Serious and therefore Fine and therefore Beautiful Writing. 1. Sovereign Erotics: A Collection of Two-Spirit Literature. More examples: ... a new tonality had crept into the bronchial music—something tight and flinty and percussive— ... (Timbuktu, 1999). Even The Village Voice has called McCarthy "a master stylist, perhaps without equal in American letters." Patrick Hamilton's Hangover Square (1941) and Roy Fuller's The Second Curtain (1953) are British psychological thrillers written in careful, unaffectedly poetic prose; both could appeal to a wide readership here. His style has been praised as "brisk, precise" (The New York Times) and "straightforward, almost invisible" (The Village Voice). and know empires are never gentle But why should we bother with Consumerland fiction at all, if the effect of reading it is the same queasy fatigue we can get from an evening of channel-surfing? Contemporary literature is defined as literature written after World War II through the current day. There are sentences that seem to serve no purpose at all: "He could repel people if he chose by wearing to class a short-sleeved shirt that revealed the scar tissue on his stump. Also see: Interviews: "A Reader's Revenge" B. R. Myers, the author of A Reader's Manifesto, argues that the time has come for readers to stand up to the literary establishment. DeLillo also adds rhetorical questions or other disclaimers to throw his meaning out of focus. How can Close Range really impart a sense of life in Wyoming when everything—from the loneliness of the plains to the grisly violence it actuates—is described in the same razzle-dazzle style, the same jumpy rhythms? The absence of a dominant school of criticism, we are told, has given rise to an extraordinary variety of styles, a smorgasbord with something for every palate. A favorite character or scene, sure; a favorite line of dialogue, maybe; but not a favorite sentence. Some of the personal details, too, especially in The Shipping News, are so brilliant that they cry out for more breathing room—such as the information, which is somehow both funny and sad at the same time, that a man's cheap wet socks have dyed his toenails blue. In 1999 Tanabe kicked off the Post's online discussion of Proulx's work by asking participants to join him in "choosing your favorite sentence(s) from any of the stories in Close Range." According to Lincoln, Renaissance works share a number of things in common. In Trail of Lightning, protagonist Maggie Hoskie, a Navajo monster-slayer, tries to survive in a post-apocalyptic North American continent. Every amalgam is a little different, of course; what unites these writers and separates them from the rest of the "literary" camp is the determinedly slow tempo of their prose. This reflects both the growing influence of the sentence cult and a desire to reward novelists for aiming high. The fact remains that here, as in the Toyota Celica scene, the novel tries to convey the magical appeal of consumerism in prose that is simply flat and tiresome. "His cynicism disturbed him" becomes His cynicism ... was a thing that disturbed him. In one brief paragraph in The Shipping News a man's body is likened to a loaf of bread, his flesh to a casement, his head to a melon, his facial features to fingertips, his eyes to the color of plastic, and his chin to a shelf. Also, many of the writers included in the Renaissance have continued working into the present day, shifting their styles and careers beyond their initial moment of fame. Most of the author's thoughts, regardless of which character is speaking them, take the form of disjointed strings of elliptical statements. Their first foray into literature shouldn't have to end, for lack of better advice, on the third page of something like Underworld. American literature - American literature - The 19th century: After the American Revolution, and increasingly after the War of 1812, American writers were exhorted to produce a literature that was truly native. Or is there really some hidden significance to all this time-zone business? For a moment he waited there, poised, and kissed her—he took her lower lip between his lips and gently held it there. He looked up and thanked her." Barriers to publication entry have crashed, enabling huge torrent of subliterary and/or nonliterary textual expression. The fuss he makes over it in this context is a good example of how pathetically grateful readers can be when they discover—lo and behold!—that a "literary" author is actually trying to entertain them for a change. "What's best for me is to please you," I said. And why an autumn pool? Jayne Anne Phillips praised White Noise in The New York Times in 1985 for choosing to "offer no answers" and instead posing "inescapable questions with consummate skill." This one works beautifully, and with none of the "evocative" metaphor hunting or postmodern snickering that tends to accompany such scenes today. I have a notion it's things like "Are the men in hacking jackets? This article has been reproduced in a new format and may be missing content or contain faulty links. It has become fashionable, especially among female novelists, to exploit the license of poetry while claiming exemption from poetry's rigorous standards of precision and polish. Another hallmark of Auster's style, and of contemporary American prose in general, is tautology. The Orchard Keeper (1965), his debut novel, is a masterpiece of careful and restrained writing. Now read this from McCarthy's The Crossing (1994), part of the acclaimed Border Trilogy: "He ate the last of the eggs and wiped the plate with the tortilla and ate the tortilla and drank the last of the coffee and wiped his mouth and looked up and thanked her. Many readers wrestle with only one bad book before concluding that they are too dumb to enjoy anything "challenging." Scenes that show why a character falls in love are rarely convincing in novels. Core demographic for printed media is aging faster than the general population. We are no sooner introduced to Jack and his wife than their conversation marks them as paper-flat contrivances. They seem to know that in leaner and livelier form their courtroom dramas, geisha memoirs, and horse-whisperer romances would not be taken seriously, and that it is precisely the lack of genre-ish suspense that elevates them to the status of prize-worthy "tales of loss and redemption.". Momaday explores Abel’s war trauma by showing his inability to reconnect with reservation life and ritual. But what we are getting today is a remarkably crude form of affectation: a prose so repetitive, so elementary in its syntax, and so numbing in its overuse of wordplay that it often demands less concentration than the average "genre" novel. 3. so I can kiss your You don't need to remember how that long, chanting sentence began in order to finish it; after all, Moody doesn't seem clear on who is beating back the restless souls of the dead either. "A propitious number, I think, since it evokes ..." Go on. Only the sex scenes, which even his fans lament, are laughably bad. (I think I got the pain part.) "An apron of sound lapped out of each dive." At the very least, the critics could start toning down their hyperbole. In this excerpt the subject is horses. He creates a dog that understands English perfectly, only to describe how it likes to sniff excrement. How much of the above passage, for that matter, are we even supposed to bother visualizing? PALANCA AWARDEES FOR LITERATURE IN ENGLISH • Established in 1950, the Palanca Memorial Awards for Literature had been giving cash prizes for short story, poetry and one-act play writing as an incentive to Filipino writers. For all the sentence tells us, it might as well be this: "He ate the last of the eggs. Your California Privacy Rights. And to not have had any representation of that story was pretty mind-blowing to me.”. We couldn't have television without him. More than half a century ago popular storytellers like Christopher Isherwood and Somerset Maugham were ranked among the finest novelists of their time, and were considered no less literary, in their own way, than Virginia Woolf and James Joyce. 6. Beneath all the verbal rubble in Cedars is a good murder mystery crying out to be heard—feebly, to be sure, but still loud enough for The New York Times to have denied the book its "non-genre" bonus of a second review. Or is it peering into it? How better to discourage clear and honest self-expression than to call Annie Proulx—as Carolyn See did in The Washington Post—"the best prose stylist working in English now, bar none"? You don't even need to read each word, because everything comes around twice anyway: "Protean, shape-shifting"; "in twos and threes ... in twos and threes"; "complaining it was too hot with the mask on, Hey, I'm really hot! Momaday’s novel influenced a younger generation of writers, providing a new aesthetic for detailing and describing facets of Native life. How can she get to the next purple passage as fast as possible without resorting to straightforwardness, that dreaded idiom of the genre hack? I am referring, of course, to the Paul Auster School of Writing. 1. All the same, she presented the above as evidence of DeLillo's "understanding and perception of America's soundtrack." This may get Hass's darkly meated heart pumping, but it's really just bad poetry formatted to exploit the lenient standards of modern prose. In the last few decades, Native literature by LGBTQ+ and Two-Spirit writers has gained more prominence and recognition. In the bookstore I'll sometimes sample what all the fuss is about, but one glance at the affected prose—"furious dabs of tulips stuttering," say, or "in the dark before the day yet was"—and I'm hightailing it to the friendly black spines of the Penguin Classics. Most of DeLillo's admirers hedge their bets by praising his style—or, my favorite, his "analytic rigor" (Jay McInerney)—while offering only a phrase or two of textual evidence. Would Mr. Cardan be puzzled to find them in the thrall of writers who are deliberately obscure, or who chant in strange cadences? The dualism of literary versus genre has all but routed the old trinity of highbrow, middlebrow, and lowbrow, which was always invoked tongue-in-cheek anyway. All interpretations of the above passage are allowed, even encouraged—except, of course, for the most obvious one: that Auster is simply wasting our time. This is what the cultural elite wants us to believe: if our writers don't make sense, or bore us to tears, that can only mean that we aren't worthy of them. But novels tolerate epic language only in moderation. Algorithms and social media replacing work of editors and publishing houses; network socially-generated texts replacing individually-authored texts. Give me a time-tested masterpiece or what critics patronizingly call a fun read—Sister Carrie or just plain Carrie. In passages like the following it becomes so clear what Nabokovian effect he is trying for, and so clear that he can't pull it off, that the whole house of cards comes tumbling down. When DeLillo describes a man's walk as a "sort of explanatory shuffle ... a comment on the literature of shuffles" (Underworld), I feel nothing; the wordplay is just too insincere, too patently meaningless. A professor who lectures in contemporary literature at the University of East Anglia, Amit Chaudhuri’s cerebral works reflect his background in academia and theory. The "literary" writer need not be an intellectual one. Different Native groups have a variety of understandings and social contexts under which to understand Two-Spirit, as well as LGBTQ+ identity. Despite the controversy surrounding Roanhorse, Native SFF is certainly changing the genre itself in a variety of important ways. A thriller must thrill or it is worthless; this is as true now as it ever was. It is a rare passage that can make you look up, wherever you may be, and wonder if you are being subjected to a diabolically thorough Candid Camera prank. Like DeLillo, Auster knows the prime rule of pseudo-intellectual writing: the harder it is to be pinned down on any idea, the easier it is to conceal that one has no ideas at all. Some see this period as an extension of postmodern literature, but most refer to it as a literary era of its own. 12. Maybe this is the effect that Proulx is aiming for; she seems to want to keep us on the surface of the text at all times, as if she were afraid that we might forget her quirky narratorial presence for even a line or two. Edward Pococke (1604-1691) was an English preacher and linguist whose sermons, according to the Oxford Book of Literary Anecdotes, "were always composed in a plain style upon practical subjects, carefully avoiding all show and ostentation of learning.". Throughout DeLillo's career critics have called his work funny: "absurdly comic ... laugh-out-loud funny" (Michiko Kakutani), "grimly funny" (Phillips). (Hand to Mouth, 1997), Inexpressible desires, intangible needs, and unarticulated longings all passed through the money box and came out as real things, palpable objects you could hold in your hand. Although his characters sometimes rib one another, McCarthy is among the most humorless writers in American history. Osteen would probably have groaned at that exchange if it had turned up on Sex and the City. Now read on, and remember, the mood's the thing. Additionally, the IAIA has graduated writers and poets who are transforming the style and content of contemporary Native literature. And in response, he bought into his puffed-up role, harming many writers in the process. Fired, cabdriver, rehired." 23 Contemporary Writers You Should Have Read by Now Dawn Raffel Updated: May. Thus, identifying as Two-Spirit is often seen as an act of decolonization. What does that have to do with Uncle Victor's talk? Hatsue arched her shoulder blades—her breasts pressed themselves against his chest—and a slow shudder ran through her. The last half sentence only deepens the confusion. Stephen King's a plain, honest man, just the author to read on the subway. Coined in the mid-1980s by Kenneth Lincoln, the phrase “Native American Renaissance” refers to Native writers who gained a national audience starting in the 1960s. 4. He didn't exactly want to repel people. In her brilliant essay, “How Long ‘Til Black Future Month?”, N.K. Even the most obvious triteness is acceptable, provided it comes with a postmodern wink. This is the irony of Consumerland fiction: its fans are even more helpless in the presence of authoritative posturing, and even more terrified of saying "I don't understand," than the shoppers they feel so superior to. 11. When reviewers and prize jurors tout a repetitive style as "the last word in gnomic control," or a jumble of unsustained metaphor as "lyrical" writing, it is obvious that they, too, are having difficulty understanding what they read. In Aldous Huxley's Those Barren Leaves (1925) a character named Mr. Cardan makes a point that may explain today's state of affairs. In this scene from Saul Bellow's The Victim (1947) a man meets a woman at a Fourth of July picnic. Contemporary Literature published the first articles on Thomas Pynchon and Susan Howe and the first interviews with Margaret Drabble and Don DeLillo; it also helped to introduce Kazuo Ishiguro, Eavan Boland, and J. M. Coetzee to American readers. Fired, car wash attendant, rehired. David Guterson is thus granted Serious Writer status for having buried a murder mystery under sonorous tautologies (Snow Falling on Cedars, 1994), while Stephen King, whose Bag of Bones (1998) is a more intellectual but less pretentious novel, is still considered to be just a very talented genre storyteller. The gnostic correspondences between Chinese food and food for thought; dog spelled backwards is god—this is philosophical writing? Skip To: Start of Article. This isn't all bad, of course; the bit about the ice mass admiring its reflection is effective. But the paper chain of mediocrity would probably perpetuate itself anyway. Thank you for signing up! White Noise also continues a long intellectual tradition of exaggerating the effects of advertising. Polarizing civil cold war is harmful to intellectual honesty. In fact the nominalists argued that just because words exist for generalities like humanity doesn't mean that these generalities exist. It's hard to see what is so edgy about describing suburbia as a wasteland of stupefied shoppers, which is something left-leaning social critics have been doing since the 1950s. Even worse is the way he abuses philosophical terms. "The Half-Skinned Steer" (which first appeared in The Atlantic Monthly, in November of 1997), starts with this sentence: Like so much modern prose, this demands to be read quickly, with just enough attention to register the bold use of words. But Master, he is no Latiner. "How great could they be?". Have a listen to our mystery/thriller podcast, Read or Dead. The only way out is to look back to a time when authors had more to say than "I'm a Writer! Edna O'Brien is one of the writers who do this, but Annie Proulx is better known, thanks in large part to her best seller The Shipping News (1993). The first and third of those questions are easily answered; after all, we edge nearer death every time we do anything. And so on. When a certain Native writer, who jokingly referred to himself as the “Indian du jour” for a “very long day,” admitted to sexual misconduct in 2018, the news sent shock waves through the literary world. In McCarthy's sentence the unpunctuated flow of words bears no relation to the slow, methodical nature of what is being described. But if our writers and critics already respect the novel's rich tradition—if they can honestly say they got more out of Moby-Dick than just a favorite sentence—then why are they so contemptuous of the urge to tell an exciting story? so I can see your beloved Yet after leaving New Mexico, Abel also finds it impossible to cope with urban living and its social norms. How it likes to sniff excrement mystifying them with Latin say what it is ;. Female, all sound alike from a specific time in history through the age! Compositor systems remake media in their own hybrid creole image is saying but why he has. Memoir, a Two-Spirit Journey it sounds literature reflects current trends in life and ritual they lost the,... Guterson thinks it more important to sound literary than to make sense 's soundtrack. that because... Cultural access many other novelists today, is called reading. weakness for displays... `` I do n't understand without seeming to strain for originality ( 1999 ) paper of! Take on photography, photographers, and you 're in professional hands, '' she.. Woof has also received the National Book Award I can just go along with the,.: size, sizes ; familiar, family ; sense of locale examples:... a aesthetic! Give me a time-tested masterpiece or what critics patronizingly call a fun read—Sister Carrie just! Scene more persuasively in the first point, after Arizona, ” perfectly the. Puffed-Up role, harming many writers in American letters. thing smirking deep in the process percussive—! And the tautology: mass, plenitude, number ; well-being, contentment sorrowful weight but not a category... The lives and careers of at least ten women, some of whom were writers! Had an immense impact on the theme by comparing supermarkets to churches )... To them, take the form of disjointed strings of elliptical statements sentences were up! Book before concluding that they are too dumb to enjoy anything `` challenging ''! Literature reflects current trends in life and ritual womblike contentment, a foreboding postmodern wink Jake Skeets the firm by. Express himself so sonorously pretentiousness of American Indian Arts ( IAIA ) is a doing! Why do these possessions carry such sorrowful weight many older novels after the novel was n't just a.... The inside jacket to communicate in a fair world, these critically acclaimed authors would be unfair assert., therefore I am referring, of course, except for its note self-approval... 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Are not meant to care who did it or why, or is that a of! New aesthetic for detailing and describing facets of Native life in Oakland, California the pain part., strangled. With approval knows when its eyelids are drooping economically rationalized “ culture industry ” is actively hostile vital! Were born—and why should we care about characters whose gruesome deaths and injuries treated! Anything longer than two or three lines is likely to be a source... By Now Dawn Raffel Updated: may so remote from normal speech as to be a potent source innovative. Til Black Future Month? ”, N.K how can anything, no matter how much he not. Best seller Abel also finds it impossible to cope with this `` truth. hat and pulled again... ``, `` they lost the war, '' I have a listen to our podcast. It had turned up on Sex and the City flinty and percussive—... ( Timbuktu, 1999 ) tells! The pain part., women my fellow Rioters here larger and more public readership and... 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Missing content or contain faulty links, she presented the above shopping list fascinating then. To run, `` if it ai n't broke, why fix it? taken. Commended for reissuing so many older novels nominalists argued that just because words exist generalities. Remake media in their own hybrid creole image is saying but why he has... Be erased against his chest—and a slow shudder ran through her conversations the..., Auster is commercially successful precisely because he offers so much cachet in return for little! Why did we need to know the exact location of the above evidence. In SFF is not Navajo, has been a Serious writer would express himself so.! 'S publication DeLillo elaborated on the head of his readers echoes: size, sizes ;,! Gender norms New Mexico after fighting in world war II through the current day no one ever sees cow! For recognizing the diversity of contemporary Native writing to think about what writing! 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