phd in creative writing research

I am finding the experience of writing in academia to be very stimulating, especially observing how various disciplines (anthropology, oral history, psychoanalysis) might challenge and inform my fictional concerns. One of the great things about the PhD is that I suddenly have access to all sorts of interesting events. I completed my MA in Creative Writing at Manchester Metropolitan University in 2010 where I won the Michael Schmidt Prize. My PhD project is focused on the world of boxing, a novel set in the 1950s and a critical work that will consider the connections between boxing and the construction of a narrative. The creative body of work normally makes up 70% of the PhD, and the reflective thesis 30%. For example, I’ve been along to a study day at the British Library aimed at helping new research students get to grips with the collections there. I have two novels, Ten Things I’ve Learnt About Love (2013) and Before The Fire (2015), both published by Picador in the UK and translated into several other languages. I’ve been writing seriously since completing an MA in Creative Writing at Goldsmiths in 2002. I have developed a socially-engaged writing practice with a focus on place and urban change. I followed this love of plot to work in feature film production before seeing the light and pursuing writing full-time. I am looking forward to working on inter-related fiction and non-fiction pieces. Our PhD research programmes will allow you to explore your own interests in creative writing, supported by the expertise of our staff. In this way the essence of the Creative Writing PhD is research through creative practice. The PhD in Creative Writing provides the capstone to the postgraduate Creative Writing suite, offering students graduating from the MSc an opportunity to undertake work at a higher level. I graduated from King’s College, London with an English degree and MA in 19th Century Literature. Charter and policies, PhD students: current and recent research students. It has been a challenging time and illuminating. We welcome applications from candidates suitably qualified and with appropriate writing experience and ability. I’m currently writing a family saga set in Brighton. Explore our qualifications and courses by requesting one of our prospectuses today. My PhD project, The Other Mothers, uses creative life writing to explore the hidden lives of mothers through adoption, surrogacy and egg donation along with their 'silent partners' – birth mothers, surrogates and egg donors. I live in Brighton with my family. My supervisors are Siobhan Campbell and Jane Yeh. It’s called An A-Z of The Weatheralls, and features old cinemas, police families, and British Sign Language. In 2006 I began work for the Open University as an Associate Lecturer in Creative Writing. Since 2008 I’ve been an Associate Lecturer in Creative Writing at the Open University. I have taught Arts and Humanities modules at the Open University since 2008, and I have worked as an Associate Lecturer at the University of Manchester, University of Salford, and the MMU. What happens to a memory when we forget the language in which it was stored? A woman is murdered, but this crime is not the focus of the story; the three very different men in her life must learn to live in a divided town without her and with each other. I worked for many years in the charity sector before deciding to pursue my love of writing with the MA Creative Writing at Manchester Metropolitan University, for which I received a Distinction, and which led to the publication of my debut novel, Marilyn and Me, narrated by a young woman with a learning disability who models herself on Marilyn Monroe. Find your personal contacts including your tutor and student support I studied English at St Catharine’s College, Cambridge and Creative Writing at the University of East Anglia (MA: distinction). You will aim towards the production of a substantial, publishable piece of creative writing, accompanied by a sustained exercise in critical study. I also write scholarly articles on poetry and creativity. Shop (including exam papers), OU Students on The road to this PhD has been circuitous. After graduating with my first degree in Fine Art, I had a variety of jobs from rag-rolling kitchens to shop display, statue restoration, and working with older people running creative and reminiscence sessions. This element of the PhD – the critical commentary – will constitute around 30% of the final work; the major part – 70% – will be a creative work of publishable standard: a novel, memoir, book of poems or collection of stories, for example. The project is situated in the context of contemporary life writing, including women’s life writing, multi-subject biographies, writing about living subjects and unknown subjects, and writing interweaving biographical and autobiographical elements. I’ve long harboured ambitions to embark on a PhD in creative writing, and my new novel project has finally given me the opportunity. My PhD looks to develop contemporary theory and practice on the idea of ekphrasis. This was in English at the University of Manchester. My first novel, Amelia and the Virgin was published in 2011 by Pewter Rose Press. I had always written fiction and by 2004 some of it was beginning to be published. My critical study will consider the ways in which other authors use crime as a plot element to seize the reader’s attention and drive the narrative forward in order to tackle far wider issues. I am one of the rare individuals who has already completed a PhD. I joined a writers’ group in Moscow and completed an advanced fiction course by distance learning with the Open College of the Arts. Much of my writing explores recurring themes of difference, identity and belonging, themes which I expect to feature heavily in my PhD life writing. My writing career has provided me with rich and varied opportunities, from writing fellowships in New York and Armenia to running workshops in East London schools. After bringing up two children, I decided to develop my lifelong interest in creative writing. I recently used my baseline funding to develop my short story writing skills by attending a Faber Academy weekend course and was subsequently fortunate enough to win the Bristol Short Story Prize 2011. After teaching English I moved to Vienna and worked as an editor for an international organization. The core teaching team*on the PhD in Creative Writing includes prize-winning novelists, poets, and creative non-fiction specialists: Ruth Padel, Benjamin Wood, Edmund Gordon, Sarah Howe, Jon Day and Lara Feigel. My intention is to disrupt contemporary assumptions about, and representations of, ageing in relation to urban, domestic and institutional space, and investigate age-prejudice in relation to our fears for the future, and our negotiations of our past, present, future and imagined selves. I began my first novel as part of an MA in Creative Writing at Lancaster University, (Magdeburg, published in 2010 by Lagan Press), so when it came to thinking about my next project – an historical novel set in late 17th Century Edinburgh – it seemed like a good idea to develop it into a PhD proposal. The critical investigation will explore the traditions of life writing, ethical and methodological issues, interdisciplinary connections, the nature of truth, and debates around creatively transforming life into literature. I graduated, more recently, with an MA (Distinction) from the same university in Creative Writing. It’s been a way of giving myself space to focus on the work itself, and to better understand my own process. I have also lived in Asia, Scandinavia, Germany, Switzerland and Russia, where I worked for the ‘Moscow Times’. team: Help with the University’s computing systems: Help with accessing the online library, referencing and using libraries near you: OpenLearn: free For the last 15 years I’ve worked as a freelance copy-editor and proofreader, mainly for arts festivals in the UK and Ireland. I’ve also presented a paper at the Great Writing conference organised by Bangor University, and was part of a panel for the 2010 NAWE (National Association of Writers in Education) conference, alongside my supervisors. As well as research students at MA and PhD levels, there’s a very strong taught MA by research programme in creative and critical writing in the department, which provides a healthy and diverse postgraduate community of dedicated and talented writers. I’ve long harboured ambitions to embark on a PhD in creative writing, and my new novel project has finally given me the opportunity. Creative Writing doctorates lead to a variety of potential career paths. I will explore ideas of loss, death and mortality and how these relate to concepts of narrative, linearity and the idea of an 'ending'. I am writing a novel, set in Elephant and Castle in south London, which spans from the Second World War to the present day. This gave me the background and confidence to apply for the MA in Creative Writing at Lancaster University. Twitter, OU Students and support, Student My practice-based PhD at the OU will provide me with a privileged opportunity for professional development - both as a writer and as a teacher. Two of my novels were written for teenagers, including Daylight Saving, a ghost story set on a holiday park, which was shortlisted for the Branford Boase. Facebook, OU Students on My critical dissertation will examine the ways in which the trauma narrative can be merged with the bildungsroman to offer an innovative new approach. I have worked in literature development since 2001: as a literature development officer in Leicester; a youth literature worker in Tower Hamlets, London; and as a freelance practitioner since 2006. My research will centre on first-person narratives from the perspectives of characters with learning disabilities, thus allowing me to combine two of my great passions: creative writing and disability rights. Thanks to the research degree I am growing in scope and confidence as a writer. In the summer of 2011, I was awarded a writer's residency at the Heinrich Böll cottage on Achill Island. My short stories have appeared in newspapers and journals in the US, the UK and Ireland, and my story collection Marriage a la Mode was shortlisted for Salt Press’ Scott Prize in 2013, while my first novel, The Fault Line, was longlisted for the Bridport First Novel Award in 2015. I attained a distinction from the UEA Creative Writing MA. I am particularly interested in writing poems in response to modern art, especially paintings characterised by obscurity or apparent emptiness – such as the late work of Turner and Rothko. PhD by Professional Practice (Creative Writing) Research Excellence Framework 2014 In the Research Excellence Framework 2014, the English subject group was ranked 30th out of 89 departments in the UK with 78% of our research activities and outputs judged to … The final creative work emerges from and embodies the research questions, decisions and discoveries made in the course of producing the work. I’ve written four novels, the first of which, Blackmoor, was shortlisted for the Sunday Times Young Writer of the Year Award, and won the Desmond Elliott Prize. Research programmes will allow you to explore your own interests in Creative writing Manchester... Great things about the PhD, and features old cinemas, police families, how. Creative work emerges from and embodies the research questions, decisions and discoveries made in the UK, USA Ireland... And was supervised by Professor Terry Eagleton moved to Vienna and worked as an Associate in! 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